Finborough Theatre Logo

Too Good To Be True

by Bernard Shaw

Press Info
Finborough Logo default image
July - September 2009
“There they are, our Government chaps, hobnobbing at Chequers or Geneva, with a pile of corpses and debts on their backs, crying “What must we do to be saved!”
A political extravaganza - the first london revival in over 20 years
1 - 26 Sept 2009
archive

In Too True To Be Good, a wealthy young woman elopes with two burglars and embarks on a decadent life of leisure, exploring themes of wealth and freedom amidst economic turmoil.

About The Play

About The Play

★★★★ Four Stars WhatsOnStage

Perhaps one of the first absurd comedies in English, and one of Shaw’s least performed work in its first london revival in over 20 years.

A rich young woman catches a pair of burglars in her bedroom, but instead of calling the police she decides to run off with them, and live off the proceeds of her own burglary. The three embark on a permanent beach holiday, a life of fabulous wealth and total freedom.

Written in 1932, during the last great economic collapse, Too True To Be Good asks what it means to spend yourself sick. A bizarrely hilarious and very contemporary analysis of out-of-control wealth, involving a giant amoeba and Lawrence of Arabia, this is a side of Shaw we rarely see – as the grand old man of the theatre leaves the drawing-room for the beach.

First performed in New York and London in 1932, it has not been seen in London since 1975 (in a Royal Shakespeare Company production with Ian McKellen and Judi Dench that transferred to the West End) and 1986 (Mike Alfreds’ Shared Experience production at the Riverside Studios). In 2006, it played to great acclaim at Canada’s Shaw Festival.

After the matinee performance on the 26th of September, Sir Michael Holroyd, Shaw’s official biographer, was present for a short discussion on the play

More Detail

Cast

Crew

Director

Sarah Norman

Producer

Presented by Bitter Pill Productions in association with Nicola Seed and Phil Anderson-Dyer.

Design

Ruth Hall

Lighting

Peter Harrison