by Paul Claudel

Sundays, Mondays and Tuesdays
27, 28, 29 May and 3, 4, 5 June 2018

The English language London premiere

"Noon at the sun. Noon at the centre of our lives"

Set in Hong Kong and China at the turn of the 20th century, against the backdrop of the age of Empire and the first whispers of revolt and decolonisation, Break of Noon follows the inner journeys of four people who together depict all the multifaceted faces of Love.

Ysé is at the centre of a romantic entanglement with three men: De Ciz, her unstable husband who is obsessed with business and will do anything to open new trade markets in the East; Mesa, devoted to his Catholic faith, but who was rejected for the priesthood and feels abandoned by God; and Amalric, a fortune-seeking explorer, and Ysé’s old flame, who seems to be pushing Ysé into other men's arms, whilst still hoping she will return to him one day…

Written in 1905, Break of Noon is a semi-autobiographical romance, based on Paul Claudel’s own real love -affair with a married woman, and his experiences as French consul in China. A modern French classic, it is a unique poetic and symbolist manifesto, in verse, on the human frailty of ambivalence and the conflicts and contradictions between physical love and spiritual faith.

Break of Noon was banned from the stage by Claudel himself for forty three years (following a recommendation from his priest during confession), until his friend, famous actor and director Jean-Louis Barrault, after he'd successfully created the epic Soulier de Satin, convinced him to allow him to produce the play in 1948. Barrault’s production, in French, for the famous Renaud-Barrault Company was seen in London in 1951. It was revived at the Comédie Francaise as recently as 2007. 


Director David Furlong's production of Moliere's Doctor In Spite Of Himself was nominated for Best Director at the OffWestEndAwards 2017. Direction includes The Exchange (Hackney Empire), Misanthrope (Drayton Arms Theatre), The Flies (Camden People's Theatre), Square(d) (New Wimbledon Theatre), Business (Pleasance London) and I Live With Freddie Mercury (Café-Théâtre des Chartrons, Bordeaux). David was Resident Director at the Institut Francais in South Kensington from 2010 to 2013 for which he wrote and directed twelve productions for young audiences. He has also written four full-length plays. David was Observing Staff Director to Moshe Leiser at the Royal Opera House, and is Stage Directors UK 2017's mentee under Phelim McDermott. He trained at the National Theatre of Chaillot in Paris and is still a performer, regularly touring France and about to tour Mauritius and India in 2018 with Border Crossings Theatre.


Playwright Paul Claudel was born in 1868, 150 years ago, and was the younger brother of sculptor Camille Claudel was one of France’s leading writers, as well as working as a diplomat. In addition to being French consul in China, Japan, Brazil, the United States and many other countries, Claudel wrote thirty plays, twenty essays and fifteen volumes of poetry. Among his many successful plays was Tete d'Or (1890), The Exchange (1893), L'annonce faite a Marie (1910), and Le Soulier de Satin (1931), a ten-hour long exploration of human and divine love and longing, which was staged at the Comédie-Française in 1943. His work was closely associated with leading French director and actor Jean-Louis Barrault and his Compagnie Renaud-Barrault. Claudel was elected an ‘Immortal’ of L'Académie française in 1946. A devout Catholic, he dedicated the last part of his life to the study of biblical scriptures. He died in 1955.


Elizabeth Boag | Ysé

Trained at Mountview Conservatoire.
Theatre includes Invincible (National Tour and 59E59 Theaters, New York City), Arrivals And Departures, Farcicals, Confusions, Hero’s Welcome (Stephen Joseph Theatre, Scarborough, National Tour and 59E59 Theaters, New York City), Roundelay (National Tour), Stella (Southwark Playhouse and Douglass Theatre, Georgia), Lilies On The Land (Arts Theatre), Same Time Next Year (Esk Valley Theatre, Whitby) and The 24 Hour Plays (The Old Vic).
Film includes Chasing Robert Barker, Scrawl and Mission London.
Television includes Casualty, Doctors, Joe’s Palace and Stuart: A Life Backwards

David Durham | De Ciz

Trained at Guildhall School of Music and Drama.
Theatre includes As You Like It (Nottingham Playhouse), Descent (Ovalhouse), Deathwrite (Sherman Cymru, Cardiff), Jesus Christ Superstar (National Tour), The Lion King (Lyceum Theatre), Follies (Royal Festival Hall), Ragtime (Piccadilly Theatre), Flowers For Mrs Harris (Crucible Theatre, Sheffield) and Sweeney Todd (Mercury Theatre, Colchester).
Opera includes Trouble In Tahiti (Brunel Museum, Bristol), La Traviata (Soho Theatre), Pagliacci (King’s Head Theatre), Don Giovanni (The Theatre, Chipping Norton), Tosca (Saint John’s Smith Square), Macbeth and Il Tabarro (Midsummer Opera), Eugene Onegin and Carmen (Whitgift Foundation).
Television includes Law and Order, Merlin, EastEnders, Casualty, Doctors and A Touch Of Frost.

Matt Lim | Mesa

Trained at the University of Cambridge.
Theatre includes Love In The Past Participle (The Other Palace), In My Head (Brockley Jack Studio Theatre), Edward! (Westminster Abbey), Yerma and Bodas De Sangre (Barons Court Theatre), 2 Complicated (National Tour) and Jack And I: The Jack the Ripper Musical (National Tour and Edinburgh Festival).
Film includes The Confusion of Tongues, Three Dots And A Dash, 50 Ways To Kill Your Lover, Yoof and LUCID: The Dreamwalker.

Connor Williams | Amalric

Trained at Bristol Old Vic Theatre School.
Theatre includes King For A Day (Theatre Royal Haymarket), Awake (Theatre503), Twelfth Night, Romeo And Juliet, A Midsummer Night’s Dream, Macbeth (The Lord Chamberlain's Men), The Revenger’s Tragedy (Southwark Playhouse), The York Realist (English Touring Theatre) and One Hell Of A Life (National Tour).
Film includes Nightshooters, The Rizen: Possession, Fan and Eider And Steeps.
Television includes Shallow Graves, Derren Brown Live, Casualty, The Bill, Great Escape: The Untold Story.


“The play is now mythical, and even fifty years after its creation, it stands the test of time...An exceptional event” Philippe du Vignal, Theatre du Blog

“A play which will surely be counted among the great creative works of our time.” The Spectator on The Satin Slipper


“Masterful comedic style, clever, very funny.” ★★★★★ The Upcoming on The Doctor in Spite of Himself

“High voltage energy of the staging and the clever direction of David Furlong.” ★★★★★ London Theatre 1

“Original and entertaining, this rather wonderful production encapsulates Moliere's brilliance.” ★★★★★ London Pub Theatres on The Misanthrope

“The play, intelligently directed by David Furlong stands the test of time” Theatre Bubble on The Misanthrope

“It's commendable to see so much invention and energy…an amazingly intense production” The Scotsman on The Flies


FINBOROUGH150. 2018 marks 150 years of the Finborough Theatre building, originally designed by prominent Victorian architect George Godwin. Its birthday also coincides with the 150th anniversary of the birth of French symbolist playwright Paul Claudel. We will be celebrating our birthday throughout the year with an anniversary selection of the best plays from 1868. #finborough150


Sundays, Mondays and Tuesdays, 27, 28, 29 May and 3, 4, 5 June 2018

Sunday and Monday evenings at 7.30pm.  

Tuesday matinees at 2.00pm

Performance Length: 2 hours and 10 minutes with a 15 minute interval. 

Tickets £18, £16 concessions

Full booking information

For details of our Returns Policy for sold out performances, please click here



Book Tickets for Break of Noon

Sundays, Mondays and Tuesdays
27, 28, 29 May and 3, 4, 5 June 2018

Please note that if a show is marked as Sold Out, there are no more tickets available. Please do NOT contact the theatre as we have no more tickets left for these shows. Please see our returns and exchanges policy for more information.

Directed by David Furlong

Set Design by Ninon Fandre

Lighting by Alastair Borland

Costume Design by Sarah Habib

Presented by Exchange Theatre in association with Neil McPherson for the Finborough Theatre.