Winter 2015-2016 | November 2015 - February 2016


by Robert Bolt

Tuesday, 17 November – Sunday, 20 December 2015

The first London production in over fifty years

“Fifteen acres of apple trees in blossom, with a few white hens on the grass, perhaps, and some high white clouds in a blue’s a sight for the gods, it’s Shangri-la.”

The first London production in over fifty years of Robert Bolt’s first West End play, Flowering Cherry.

Suburbia, 1957. Jim Cherry sells insurance, but wants to sell apples instead. He dreams of owning an orchard in Somerset and quitting the job he hates. But Cherry is a fantasist and his wife Isobel is at breaking point. As his dream begins to spiral out of control and the gulf between them widens, can she force him to face reality?

Hailed at its premiere as the British Death of a Salesman, and from the writer of A Man for All Seasons and the screenplays of Doctor Zhivago and Lawrence of Arabia, Flowering Cherry is the heart-breaking story of a man seduced by his own imagination. This rediscovery marks the first London production since its premiere in 1957, starring Sir Ralph Richardson and Celia Johnson.


Playwright Robert Bolt (1924–1995) shot to fame in 1960 with A Man for All Seasons, the story of Sir Thomas More. A huge hit in the West End and on Broadway, it has enjoyed frequent revivals ever since. Bolt went on to win an Oscar for his screenplay adaptation of the play in 1967 and had great success with his other screenplays for the cinema including Lawrence of Arabia (1962), Doctor Zhivago (1965) for which he also won an Oscar, Ryan’s Daughter (1970), Lady Caroline Lamb (1972), The Bounty (1984) and The Mission (1986). His plays for the theatre include The Tiger and the Horse (1960), Gentle Jack (1963) and Vivat! Vivat Regina! (1971).


Director Benjamin Whitrow returns to the Finborough Theatre after his critically acclaimed performance in The White Carnation and its subsequent transfer to the Jermyn Street Theatre. He has directed extensively at Birmingham Rep and Harrogate Theatre and most recently Kroetz’s Through the Leaves for the Royal Shakespeare Company. Best known as an actor, he trained at RADA and started his career in Laurence Olivier’s company at the National Theatre. He was nominated for a BAFTA for his performance as Mr. Bennet in the BBC’s Pride and Prejudice with Colin Firth and Jennifer Ehle. His numerous theatre appearances include The School for Scandal and Richard II (Tobacco Factory, Bristol), Otherwise Engaged (Queen’s Theatre), Dirty Linen (Arts Theatre),Ten Times Table (Gielgud Theatre), Noises Off (Savoy Theatre), Passion Play and Made in Bangkok (Aldwych Theatre), Amphitryon  (Wyndham’s Theatre), Uncle Vanya (Vaudeville Theatre), Home and Beauty (Prince of Wales Theatre), The Rivals, The Merry Wives of Windsor, The Winter’s Tale and Henry IV (Royal Shakespeare Company),The Last of Mrs. Cheyney, The Sisterhood, Henry VIII, The Lady's Not for Burning, Mr. Panmuir and A Man for all Seasons (Chichester Festival Theatre) and Racing Demon, Wild Oats, A Little Hotel on the Side and The Invention of Love (National Theatre).


Ashley Cook | David Bowman

Productions at the Finborough Theatre include F***ing Men (2008) and The White Carnation (2013) and its subsequent transfer to Jermyn Street Theatre (2014).
Trained at the Webber Douglas Academy of Dramatic Art.
Theatre includes King Lear (The Old Vic and English Touring Theatre), The Mousetrap (St. Martin’s Theatre), A Midsummer Night’s Dream (Belgrade Theatre, Coventry), Romeo and Juliet (Derby Playhouse), A Doll’s House and The Importance of Being Earnest (Theatre Royal, Lincoln), She Stoops to Conquer and The Daughter-in-Law (Perth Theatre), The Art of Concealment and How to Cook a Country (Riverside Studios), Absent Friends and The Importance of Being Earnest (UK Tours for London Classic Theatre),The Bootmaker’s Daughter (Brighton Festival), Love and Understanding (BAC), Stonewall (Pleasance Edinburgh and The Drill Hall), Cahoot’s Macbeth (King’s Head Theatre) and Much Ado About Nothing (Antic Disposition).
Film includes A Mind of Her Own, Love in a Dangerous Time, Don Justino de Neve and Llar.
Television includes The Bill, The Basil Brush Show and Patrick Hamilton: Words, Whisky and Women.
Radio for BBC Radio 4 includes Behind Closed Doors: Excluded, Saturday Night and Sunday Morning, Bad Memories, Development, Inside the Whale, Inside Stories, Q & A, Life Class, Sharp Focus and My Turn to Make the Tea.

Catherine Kanter | Isobel Cherry

Theatre includes An Ideal Husband (Chichester Festival Theatre), The Elephant Man (Lyceum Theatre, Sheffield, and Hackney Empire), Tartuffe (Watermill Theatre, Newbury), The Comedy of Errors (Northcott Theatre, Exeter), Marieluise (Gate Theatre), King Lear (The Old Vic and English Touring Theatre), A Woman of No Importance (UK Tour), A Midsummer Night’s Dream, Othello, A Warwickshire Testimony, Pentecost, Peer Gynt and The Wives’ Excuse (Royal Shakespeare Company), All My Sons (Bristol Old Vic), Communicating Doors (Library Theatre, Manchester), The Servant of Two Masters (West Yorkshire Playhouse) and Tolstoy (Aldwych Theatre).
Film includes Jam, Nostradamus, A Grey Morning, The Heart of Me and A Brand for the Burning. Television includes The Lost Honour of Christopher Jefferies, Foyle’s War, Doctors, Miliband of Brothers, EastEnders, Vincent Van Gogh: Painted With Words, New Tricks, Coronation Street, Saxondale, Holby Blue, Hotel Babylon, The Amazing Mrs Pritchard, Family Affairs, The Inspector Lynley Mysteries, A & E, Cold Feet, Casualty, Wing and a Prayer, Bugs, The Knock and The New Adventures of Robin Hood.
Radio includes Straw without Bricks.

Liam McKenna | Jim Cherry

Trained at LAMDA.
Theatre includes Asking Rembrandt (Old Red Lion Theatre), The White Whale (Slung Low at Leeds Docks), Magpie Park and Tender Dearly (West Yorkshire Playhouse), Hamlet (Rose Theatre, Bankside), Money, Summerfolk, The Merchant of Venice, The Villains’ Opera and Peter Pan (National Theatre), The People Downstairs (The Young Vic), The Count of Monte Cristo (Royal Exchange Theatre, Manchester), Sexual Perversity in Chicago and The Go-Between (Norwich Playhouse), Flanders Mare (Sound Theatre), Measure for Measure and Much Ado About Nothing (AB&C Theatre Company) and The Taming of the Shrew and Julius Caesar (Arts Threshold). Film includes The Riot Club, Maleficent, Harry Potter and the Deathly Hallows: Part 2, The Disappearance of Alice Creed, Metamorphosis, Eastern Promises, Venus, Harry Potter and the Goblet of Fire, Like Minds, Chromophobia, The Libertine, Vanity Fair, To Kill a King and Uprising.
Television includes The Bastard Executioner, Hustle, Spooks, Holby Blue, Judge John Deed, The Bill, Battlefield Britain, Dirty War, The Greatest Heist, Ultimate Force, The Ice House, Ellington, Kiss and Tell, Hollyoaks, Stick with Me, Kid, Minder and The Chief.

Hannah Morrish | Judy Cherry

Trained at Drama Centre London.
Theatre includes A Little Hotel on the Side (Theatre Royal Bath).
Television includes Call the Midwife.

James Musgrave | Tom Cherry

Trained at the National Youth Theatre.
Theatre includes Donkey Heart (Old Red Lion Theatre and Trafalgar Studios), The Duck House (Vaudeville Theatre and UK Tour), Jumpy (Royal Court Theatre and Duke of York’s Theatre), Wanderlust for which he was nominated for a Milton Shulman Outstanding Newcomer Award in the Evening Standard Theatre Awards (Royal Court Theatre), The Browning Version (Theatre Royal Bath) and Tory Boyz and 20 Cigarettes (Soho Theatre).
Film includes The Isis and The Snow White File.
Television includes Doctors, Live at the Electric, Death in Paradise, Joe Mistry, Silk, Fresh Meat, Campus, Any Human Heart, The Curfew, Midsomer Murders, Genie in the House and Trial and Retribution.
Radio includes The Cazalets.

Phoebe Sparrow | Carol

Trained at Mountview Academy of Theatre Arts.
Theatre includes Fathers and Sons (Donmar Warehouse), City Stories (St. James Theatre) and Cherry (Jermyn Street Theatre).
Television includes Downton Abbey.


Producer Ashley Cook for Troupe is supported by the Stage One Bursary Scheme for New Producers and enjoyed a critically acclaimed sell-out run at the Finborough Theatre in 2013 with The White Carnation starring Aden Gillett and Benjamin Whitrow, later transferring to the Jermyn Street Theatre with Michael Praed.


“A neglected little” ★★★★ Dominic Cavendish, The Telegraph

“It is a treat to see the piece given such a fine production." ★★★★ Daisy Bowie-Sell, Time Out

“This intriguing and strongly acted revival.” Paul Taylor, The Independent

“R. C. Sherriff’s 1950s ghost story is deftly handled.” Alexander Gilmour, The Financial Times

“Could it be the sleeper hit of the season?” Rupert Christiansen, The Telegraph


“A remarkable new play.” Kenneth Tynan, The Observer

“This is a magnificent play...the moment of revelation is crushing and tremendous.” Harold Hobson, The Sunday Times

“The London theatre has come by a new dramatist.” The Times

“Death of a Salesman with a Clapham accent…vividly and rather terrifyingly realistic.” Milton Shulman, Evening Standard


Tuesday, 17 November – Sunday, 20 December 2015

Tuesday to Saturday Evenings at 7.30pm.
Sunday Matinees at 3.00pm.
Saturday Matinees 3.00pm (from 28 November 2015).

Performance Length: Approximately 2 hours with one interval of twenty minutes.

Prices until 28 November 2015

Tickets £16, £14 concessions

except Tuesday Evenings £14 all seats, and Friday and Saturday evenings £16 all seats.
Previews (17 and 18 November) £12 all seats.

£10 tickets for Under 30's for performances from Tuesday to Sunday of the first week when booked online only.

£12 tickets for residents of the Royal Borough of Kensington and Chelsea on Saturday, 21 November 2015 when booked online only.

Prices from 1 December 2015

Tickets £18, £16 concessions

except Tuesday Evenings £16 all seats, and Friday and Saturday evenings £18 all seats. 

For details of our Returns Policy for sold out performances, please click here


Directed by Benjamin Whitrow

Designed by Alex Marker

Lighting by Peter Harrison

Sound Design and Original Composition by Lucinda Mason Brown

Costume Design by Janet Hudson-Holt

Presented by Troupe in association with Neil McPherson for the Finborough Theatre.