ReDiscoveries2012 Season | February to April 2012
The first London production in 80 years
Following the huge sell-out success of our recent productions of rediscovered Irish drama – Mixed Marriage by St John Ervine and Drama at Inish by Lennox Robinson – we present the first professional production in the UK for 80 years of the starkly tragic Autumn Fire, the classic 1924 Irish tragedy by T.C. Murray.
Rural Ireland, the 1920s. Farmer Owen Keegan, a middle aged widower with two grown up children, is famed throughout the county for his strength and vigour. When he falls in love with Nance Desmond, an attractive young woman half his age, he must fight the disapproval and hostility of his neighbours and relatives, as the lives of Owen, Nance, and Owen's son and daughter are torn apart by his passion.
Autumn Fire was first seen at the Abbey Theatre, Dublin, in 1924 starring Sara Allgood, F.J. McCormack and Barry Fitzgerald. It was subsequently seen in both the West End and on Broadway, and was last seen in London at the Everyman Theatre, Hampstead, in 1931.
Playwright Thomas Cornelius Murray (1873–1959) was an Irish dramatist who enjoyed international popularity from 1912 to about 1950. A reclusive Roman Catholic schoolteacher, he has been called "the voice of rural Ireland", and who was closely associated with the Abbey Theatre, Dublin, Éire's national theatre. Born in Macroom, County Cork, his first play, The Wheel of Fortune, was produced by the Little Theatre in Cork in 1909. His play Birthright was performed in the Abbey Theatre in 1910 and established him as a major Irish dramatist. In all, he wrote fifteen plays, all of which were produced by the Abbey Theatre. His two most highly regarded works are Maurice Harte (1912) and his masterpiece Autumn Fire (1924). Both of these and Birthright were also seen in New York on Broadway. He was also the author of many short stories, articles and an acclaimed semi-autobiographical novel, Spring Horizon (1937).
Director Veronica Quilligan was until recently a Resident Assistant Director at the Finborough Theatre as part of a placement through the Birkbeck MFA in Theatre Directing course. Her directing includes The Words Upon The Windowpane (Phoenix Theatre, Leicester). As Assistant Director, theatre includes The Way of the World and Measure for Measure (LAMDA) and – at the Finborough Theatre –Perchance To Dream, Drama at Inish and Foxfinder. She began her career as an actor making her debut at the Royal Court Theatre in A Pagan Place for which she won the Plays and Players Most Promising Newcomer award. She went on to appear in The Way of the World, Romeo and Juliet, The Tempest, Spring Awakening, Other Rooms Other Voices (National Theatre), Dancing at Lughnasa (Phoenix Theatre and Garrick Theatre), The Key Tag, From Cockney To Toffs, The School Leaver (Royal Court Theatre), Looking At You Revived, Please Shine Down On Me Again, Zigomania, Loved (Bush Theatre), Salome (Gate Theatre and Riverside) The Riot Act, High Time (Field Day Theatre Company, Derry), Faith Healer (Traverse Theatre, Edinburgh), Colours (Abbey Theatre, Dublin) and Rosmersholm (Almeida Theatre). Television includes Peak Practice, Rough Justice, The Wild Duck, City Sugar, The Vanishing Army, Tears Before Bedtime, Red Shift and The History Man. Film includes My Zinc Bed, Momento Mori, The Wildcats of St Trinians, Call At Corazon, Angel, The Lonely Passion of Judith Hearne, Hostage and Maria’s Song.
Maureen Bennett trained at the Central School of Speech and Drama. Theatre includes A Servant of Two Masters, Pygmalion, I Don’t Believe in Love, Bad/Nature Knows Best, Joanne, One Act Wonders, Funny Boy (Everyman Theatre, Cheltenham), and The Selfish Giant and The Singular Life of Albert Nobbs (Queens Theatre, Barnstable)
Film includes A Handful of Dust, The Zip, Crush and The Secret Life of Mrs Beeton.
Television includes The Mirror Crack’d, Inspector Morse, Mistresses and The Bill.
Frank Fitzpatrick trained at Drama Studio London. Theatre includes A Midsummer Night’s Dream (Roar Theatre), Peer Gynt (Pleasance Theatre), Making History, Waiting For Godot, Money From America (Old Red Lion Theatre), The Shadow of a Gunman (East 15), The Road to Remembrance (Shadow Road Productions), Perfectly Frank (Show of Strength Theatre Company), A Talk in the Park, Gosforth’s Fete (Falmouth Arts Centre), Down Bottle Alley (White Rock Theatre, Hastings), American Psycho Party (Courtyard Theatre) and Storm In The Willows (Albany Theatre)
Film includes The North London Book of The Dead, A Time to Heal and The Awakening.
Television includes Hustle, Casualty, The Wolf Man and Blood in the Water.
Eoin Geoghegan trained at the Arts Educational Schools. Theatre includes Setanta (Abbey Theatre, Dublin), Diarmuid agus Grainne (An Taibhdhreac), An Cearrbhach Mac Caba (Fibin), Translations (Decadent), and Gormenghast, A Midsummer Night’s Dream, A Month In the Country, Betrayal, Jekyll and Hyde, Lady Windermere’s Fan, Romeo and Juliet (Arts Educational Schools).
Film includes Infliction, Moster, Merely Players, The Watchers and Truth in the Rumour.
Television includes Setanta in the City, Corp Agus Anan, The Passion, City of Vice and Seacht.
Luke Hayden trained at Brendan Smith Academy, and has worked in Ireland, Britain, Poland, Lithuania and Mexico. Theatre includes Juno And The Paycock (Abbey Theatre, Dublin, and the National Theatre, London), Boris Godunov (Royal Opera House), La Chunga (Lyric Theatre, Belfast), Hamlet (Cork Opera House), I Do Not Like Thee Dr Fell (BAC), At Swim Two Birds, She Stoops to Conquer (Gate Theatre, Dublin), The Man Who Boxed Like John McCormack (UK Tour), Lovers, The Poker Session, The Shadow of a Gunman, Long Day’s Journey Into Night, I Do Not Like Thee Doctor Fell, The Hostage (Tricycle Theatre), Suddenly Last Summer, The Birmingham Six, The Merchant of Venice, Educating Rita, Don't Dress for Dinner, Public Enemy, How I Learned To Drive (Andrews Lane Theatre, Dublin), The Balcony, All My Sons, Buried Child (Focus Theatre, Dublin), The Iceman Cometh (Abbey Theatre, Dublin), Tearing the Loom for which he received a Best Actor nomination at the Irish Film and Television Awards (Lyric Theatre, Belfast) Oliver! (Opera House, Cork), One Flew Over the Cuckoo’s Nest (Helix Theatre), The Quare Fellow (New Theatre, Dublin) and Hamlet and Bouncers (Tivoli Theatre).
Film includes In The Name Of The Father, One Man's Hero, Michael Collins, Borstal Boy, Veronica Guerin, About War, Evelyn and The Escapist.
Television includes The Governor, September, Father Ted, Poirot, Aristocrats, The Family, The Shadow of the Gun, Jake’s Progress, The New Adventures of Robin Hood, Edward No Hands, Runway One, A Very Peculiar Practice, Casualty, Val Falvey and Father Ted.
Valene Kane trained at the Central School of Speech and Drama. Theatre includes The Night Chauffeur, The Black Diamond (Punchdrunk), The Lonesome West (Mercury Theatre, Colchester), The Crows Wake, The Miracle Killer (Union Theatre), 20 Cigarettes (National Youth Theatre at Soho Theatre) andThe Rivals (Mr Hart's Theatrical Company).
Film includes The Canal, Jump, War Games, Paris @ New Yorker, Jack Malchance, The Canal and The Fading Light, named Best Irish Film Critics' Choice at the 2010 Jameson International Dublin Film Festival.
Dylan Kennedy trained at East 15 Acting School. Theatre includes The Beauty Queen of Leenane (Royal Lyceum Theatre, Edinburgh), Peter Pan (National Theatre of Scotland), Alice In Wonderland (New Theatre Royal, Portsmouth), Rinaldo (Glyndebourne Festival Opera), All Over Town (Calipo Theatre), A Skull In Connemara (National Tour), The Bay (Fragments Theatre at Theatre 503) andThe Comedy of Errors (Warhorse Theatre).
Film includes Plasticine, Banshee Blacktop, Inside Out and I Love You.
Television includes the title role in The Young Graham Norton.
Aoife Lennon trained at Drama Studio London. Theatre includes Romy and Julian (Vienna's English Theatre), If It’s A Boy (Brick by Brick Theatre Company), Troilus and Cressida (Lost Theatre), Ring Around The Moon, The Shagaround, Find Me, The Man of Mode, Two Gentleman of Verona, No Dancing Please and Macbeth (Drama Studio London).
Film includes Fassbinder Journey.
Television includes Online and Inlove.
Aoife McMahon trained at the Royal Academy of Dramatic Art. At the Finborough Theatre, Aoife appeared in Gates of Gold (2004). Theatre includes Henry VIII (Royal Shakespeare Company), Goodnight Mr Tom (Chichester Festival Theatre), Translations (Abbey Theatre, Dublin), Think Global, F*** Local (Out of Joint at the Royal Court Theatre), Beauty in Beauty and the Beast (Royal Shakespeare Company), Scenes from the Big Picture (National Theatre), Andorra (The Young Vic), The Playboy of the Western World (Liverpool Playhouse), The Great Theatre Of The World (Arcola Theatre), Nine Objects (Theatre 503), Dancing at Lughnasa (RADA, Greenwich Theatre and the Watermill Theatre, Newbury)
Film includes Mary in Holy Cross.
Television includes A Touch of Frost, Doctors, Bad Girls, My Dad’s the Prime Minister, Steel River Blues, The Clinic and Random Passage.
Evenings at 7.30pm. Mondays 12 and 19 March 2012 at 2.00pm
Tickets £14, £10 concessions
Performance Length: Approximately two hours
PLEASE NOTE THAT LATECOMERS CANNOT BE ADMITTED AND TICKETS CANNOT BE EXCHANGED OR REFUNDED.
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Image copyright Laura Nagle http://lauranaglephotography.com