August to October 2011 | Autumn Season
Unseen in London for 60 years, the classic 1933 Irish comedy by Lennox Robinson, the former manager of the Abbey Theatre, Dublin, and the first director of Mixed Marriage, and starring Olivier Award winner Celia Imrie.
Drama at Inish (also known as Is Life Worth Living?) is the tale of a touring theatre company who come to the small Irish village of Inish to raise the intellectual tone higher than the usual ‘summer comicalities’. Instead they perform ‘serious’ drama: the works of Chekhov, Strindberg and Ibsen – with devastating consequences for the local inhabitants...
This production is another Finborough Theatre rediscovery, following in the footsteps of such sell-out successes as J.M. Barrie's What Every Woman Knows and Quality Street, Graham Greene's The Potting Shed and Emlyn Williams' Accolade. Drama at Inish complements our main run of another Irish rediscovery - the first London production in 90 years of St John Ervine's Mixed Marriage - the original production of Mixed Marriage at the Abbey Theatre in 1911 was directed by Lennox Robinson.
Playwright Lennox Robinson (1886-1958) was born into a Protestant family in County Cork, and had a long association with the Abbey Theatre, Dublin, serving as its Manager, Director and Producer for over fifty years. His plays include The White-Headed Boy, The Clancy, The Cross Roads, Patriots, Dreamers, Lost Leader, The Far-Off Hills, Crabbed Youth and Age and The Big House. His direction included the first production of St John Ervine's Mixed Marriage in 1911 (performing concurrently to Drama at Inish). In 1951, he published Ireland's Abbey Theatre, the first full-length history of the company.
Director Fidelis Morgan is an actress, director and writer. Her adaptation of Hangover Square was successfully revived at the Finborough Theatre in 2008, and she directed Colleen Murphy's The Piper in this year's Vibrant – A Festival of Finborough Playwrights. She was Assistant Director at the world renowned Glasgow Citizens Theatre, has directed classic plays at the major drama schools, and the King's Head Theatre. On television, Fidelis appeared in Jeeves and Wooster, Mr Majeika and As Time Goes By. On stage, she played leading roles by everyone from Massinger to Coward, Goldoni to Brecht, at theatres like Glasgow Citizens, Nottingham Playhouse, West Yorkshire Playhouse and Liverpool Everyman. Her most recent film role was the Matron in Never Let Me Go. Her seventeen published books include the ground-breaking The Female Wits and the Countess Ashby dela Zouche crime novels. She has seven eBooks online, including the Hitchcockian thriller The Murder Quadrille, Triple Shorts (featuring her short plays and revue sketches) and My Dark Rosaleen, a tale of Ireland, with one of its 3 storylines based in Ulster in the period 1900-1921at amazon.co.uk.
Juliet Cadzow is one of Scotland’s leading actresses. Her theatre career started with Billy Connelly in The Great Northern Welly Boot Show in Edinburgh and the Young Vic. Some leading roles she has played include Jean Brodie, Madam Arcati in Blithe Spirit and Dorine in Tartuffe at the Royal Lyceum Theatre, Edinburgh, The Indian Queen by Dryden/Purcell at the Citizens Theatre, Glasgow and St. Paul’s, Covent Garden, Lady MacBeth on Inchcolme Island and Sicily, Female Parts by Dario Fo at the Tron and on a UK tour, The Thrie Estaites at the Edinburgh International Festival and in Warsaw. Other EIF productions include Too Late for Logic by Tom Murphy, The Servant of Twa Maisters by Goldoni and The Four Estates by John McGrath. Juliet worked with Bill Bryden’s company for The Ship and The Big Picnic in Govan and for Channel 4, and with John McGrath for Border Warfare at the Tramway, also Channel 4. Juliet played Morna in Italian in The Gigli Concert by Tom Murphy at Teatro Trianon , Rome and did seasons with the La Zattera di Babele in Erice, Sicily and Rome. She has performed at the Traverse Theatre, Dundee Rep, Lyceum, Salisbury and Watford. Her TV work includes, Scotch and Wry, Dr. Findlay’s Casebook, Rab C. Nesbitt, Coronation Street, Casualty, The Bill, The Stonehouse Affair, Playing for Real, Glasgow Kiss, Wedding Belles and Balamory – which led to arena tours all over the UK, with the highlight performances at Wembley. Juliet has appeared in many pantomimes, most memorably at the King’s Theatre, Edinburgh with Stanley Baxter. Films she has appeared in include Heavenly Pursuits, The Wicker Man, the award winning Wonderland, Thicker Than Water for which she was nominated for a BAFTA, The Big Man and most recently Stone of Destiny, Fast Romance and Perfect Sense with Ewan McGregor.
Anthony Delaney’s credits include Northern Star at the Finborough Theatre and Hired (Watford Palace Theatre). Television includes The Tudors.
Rupert Frazer’s credits include Blithe Spirit, Hamlet (Bristol Old Vic), Lady Windermere’s Fan (National Tour), Private Lives (Haymarket Theatre, Basingstoke), The Thickness of Skin (Royal Court Theatre), Arcadia (Gate Theatre, Dublin), Naked Justice, David Copperfield (West Yorkshire Playhouse), The Picture of Dorian Grey (Theatre Royal Windsor), The Constant Wife (Lyric Theatre), Hamlet (Birmingham Rep and Lyceum Theatre) and Festen (Birmingham Rep and National Tour). Film includes Gandhi, The Far Pavilions, The Shooting Party, Empire of the Sun, The Girl In A Swing, Zorn, The Reef, Past Present Future Imperfect, Wasp 05, Van Wilder 2 and D-Notice. Television credits includes The House of Eliott, A Dinner of Herbs, The Slavery Business, Berkeley Square, The Sleeper, Love in a Cold Climate, The Bill, Shackleton, The Crooked Man, Heartbeat, Prime Suspect VI, Foyle’s War, Vincent, Slave Trader, After You’ve Gone and Doctors.
Hermione Gulliford’s credits include The Importance of Being Earnest (Birmingham Rep and The Old Vic), Time and the Conways, The Rehearsal, The Double Inconstancy, Hay Fever (Salisbury Playhouse), Twelfth Night, The Country Wife (Crucible Theatre, Sheffield), Happy Savages (Lyric Theatre, Hammersmith), Anthony and Cleopatra, A Midsummer Night’s Dream, The Merchant of Venice (Royal Shakespeare Company), Arcadia (Bristol Old Vic), Three Sisters, The Real Inspector Hound and The Critic (Chichester Festival Theatre). Film includes The Affair of the Necklace and Stage Beauty. Television includes Jane Eyre, Oktober, Monarch of the Glen, Carrie’s War, Heartbeat, The Brief, All About George, Midsomer Murders, Kingdom, Doctors, MI High, Holby City, The IT Crowd and Handle with Prayer.
Celia Imrie’s theatre credits include Acorn Antiques – The Musical (Theatre Royal Haymarket) for which she won an Olivier Award, The Hothouse (Minerva Theatre, Chichester, and Comedy Theatre), Habeas Corpus and Polar Bears (Domar Warehouse), Dona Rosita (Almeida Theatre), The School for Scandal (Royal Shakespeare Company at the Barbican Theatre), Unsuspecting Susan (King's Head Theatre and 59th Street Theatre, New York), The Way of the World and Mixed Up North (Wilton's Music Hall), Plague Over England (Duchess Theatre) and Hay Fever (Rose Theatre, Kingston).Film includes The Harmfulness of Tobacco, Blue Black Permanent, Frankenstein, In The Bleak Midwinter, The Borrowers, Star Wars, Hilary and Jackie, Bridget Jones's Diary, Lucky Break, Revelation, Thunderpants, Heartlands, Calendar Girls, Wimbledon, Bridget Jones – The Edge of Reason, Nanny McPhee, Imagine Me and You, Wah Wah, St Trinian's, St Trinian's – The Legend of Fritton's Gold, You Will Meet a Tall Dark Stranger and Best Exotic Marigold Hotel.Television includes Dinner Ladies, Acorn Antiques, Kingdom, A Dark Adapted Eye, Wokenwell, Gormenghast, Love in a Cold Climate, Baddiel's Syndrome, Station Jim, Midsomer Murders, Randall and Hopkirk Deceased, Absolutely Fabulous, The Gathering Storm, A is for Acid, Zhivago, Sparkhouse, Daniel Deronda, The Planman, Still Game, Jonathan Creek, Doc Martin, Miss Marple – 4.50 From Paddington, Mr Harvey Lights a Candle, Poirot – Taken at the Flood, The Lavender List, The Last Detective, The Commander – The Devil You Know, After You've Gone, Florizel Street and Titanic. She recently published her autobiography, The Happy Hoofer.
Seamus Hoolihan makes his Finborough Theatre debut in Drama at Inish. He has extensive stage experience, and his many television credits include Doctor Who, The Inspector Lynley Mysteries, In The Name Of The Father, The New Statesman, Chimera, Information Received, No Strings, Personal Imports and The Bill.
Jack Klaff’s credits include Trilby, Nagging Doubt, and The Representative at the Finborough Theatre. Other theatre credits include Henry VI, Son of Light, As You Like It, Tamburlaine (Royal Shakespeare Company), Othello, Troilus and Cressida, Donkey’s Years, I’m Not Rappaport (Bristol Old Vic), Map of the Heart (Shakespeare’s Globe), Insignificance (Donmar Warehouse) and as Michael Mansfield, QC in Stockwell (Tricycle Theatre). Film includes Star Wars, For Your Eyes Only, King David, Pasternak, Olga, 1871 and Ten Pence. He has over 150 television credits, including Vanity Fair, Ruth Rendell’s Road Rage and his own works. His latest radio performance was the Book of the Week – Last Resort and he has received two Sony Silver certificates.
Lee Knight’s credits include Much Ado About Nothing (Wyndham's Theatre) and Colors (Tristan Bates Theatre). Film includes Harry Potter and the Goblet of Fire.
Christopher Logan’s credits include The Belle's Stratagem (Southwark Playhouse), The School for Scandal (BarbicanTheatre and Amsterdam), A Midsummer Night's Dream (Headlong), The Picture (Salisbury Playhouse), The Comedy Of Errors (Open Air Theatre, Regent's Park), Philadelphia, Here I Come! (Gaiety Theatre, Dublin), The Rivals (Southwark Playhouse), Nicholas Nickleby (Chichester Festival Theatre, UK Tour, West End and Toronto), Pravda (Chichester Festival Theatre and Birmingham Rep), Twelfth Night (Thelma Holt Productions and Plymouth Theatre Royal – UK Tour), The Quare Fellow (Oxford Stage Company – UK Tour including Tricycle Theatre), Shakespeare's Lovers (QM2 - Cunard) and The British Federation of Festivals' 75th Anniversary Gala (Queen Elizabeth Hall). Television includes Kerching! (BBC). Film includes The Magic Flute, Mrs Henderson Presents and Esther Kahn. Radio includes The Arab/Israeli Cookbook (BBC).
Frances Low’s credits include Moonlight Across Heather (Soho Poly Theatre), Animal (Traverse Theatre, Edinburgh), Wait Until Dark and A Day in the Death of Joe Egg (Brunton Theatre, Musselburgh), Let Wives Tak’ Tent (National Theatre of Scotland), Polly Honeycombe and Lear (Cochrane Theatre, London), Real Time (National Tour), The Plough and the Stars (Royal Exchange Theatre, Manchester), My Mother (Bloomsbury Theatre, London), Venus and Adonis (National Theatre Workshop), The Way of the World (National Tour) and Words Beyond Words (Royal Lyceum Theatre, Edinburgh). Film includes Couple and Robbers, Loose Connections, December Bride, Shallow Grave and Gosford Park. Television includes Billy Liar, The Cherry Orchard, Miss Marple, Radio Pictures, Ties of Blood, Father Matthew’s Daughter, Perfect Spy, Love After Lunch, Poirot – Triangle at Rhodes, The Brittas Empire, Peak Practice, Taggart, Pie in the Sky, Casualty, Jonathan Creek, Doctors and Holby City.
Oengus MacNamara’s credits include The Hostage (Southwark Playhouse), Beckett’s Outbursts (Irish Tour), Waiting For Godot (Tricycle Theatre and Irish Tour), Molly Sweeney (National Theatre of Scotland), The Quare Fellow (Tricycle Theatre), The Playboy of the Western World (Royal Exchange Theatre, Manchester), Barabbas (Hong Kong Tour), The Country Wife (National Theatre) and Bohemian Lights (Gate Theatre, London). Television includes The Bill, Casualty, Eye of the Storm, Dangerous Ground, Roughnecks, The Bill, 99-1, Henry VI Parts I, II and III and Richard III. Film includes Round Ireland with a Fridge, Eamonn and On Wings of Fire.
Ellie Turner’s credits include Ophelia in Nicholas Hytner’s Hamlet (National Theatre), An Ideal Husband (English Theatre, Frankfurt), Bloody Poetry (White Bear Theatre), The School For Wives (Upstairs at the Gatehouse), Oliver Twist, Henry V, The Playboy of the Western World (Riverside Studios and National Tour), Avocado, Osip (King’s Head Theatre), The Lodger (Arcola Theatre) and Alphabetical Order (The Mill at Sonning).
David Walshe’s credits include The Weir (Scottish tour), The Breathing House (Tron Theatre, Glasgow), Westenders, An Apple A Day, What the Animals Say, Clara (A Play, A Pie, A Pint at Òran Mór, Glasgow), The Wisher, Lost Property (Edinburgh Festival), Shining City (National Tour), By the Seat of Your Pants (Scottish Tour), Betrayal (Byre Theatre), Dirty Dusting (National Tour), The Psychic Detective (National Tour), Mother Courage (Scottish Tour), Big Baby (Scottish Tour), and A Mobile Thriller, an award winning one-man-show, performed in a moving sports car (Traverse Theatre at the Edinburgh Festival). Film includes A Soldier’s Song, The Morbegs, The Chop, A Man with Gaps, Irish Tourism Global Advertising Campaign, Korea, Love and Rage and various radio drama at RTÉ.
****Four Stars, The Public Reviews
“This is a really lovely play which demonstrates the power of great art and the effect it can have.” Kieran James, The Good Review
“Unseen in London for 60 years, this classic 1933 Irish comedy by Lennox Robinson complements the main run of another Irish rediscovery at the Finborough - the first London production in 90 years of St John Ervine's Mixed Marriage - the original production of which was directed by Lennox Robinson in 1911.” Karolin Copplin, UKTheatre.net
“A delightfully funny "lost" play not performed professionally in London since the year of the coronation of Queen Elizabeth II in 1953. I could happily recommend this brilliant production to all, young and old, set in the hotel of an Irish seaside town in the 1930s.” Lizzie Loveridge, Curtain Up
“This is the best night I have had in the theatre for some time and deserves a far wider audience than the few sold out performances.” Lizzie Loveridge, Curtain Up
“The short run is sold out but I would recommend checking back for returns as this is a delightful piece in a delightful theatre.” Sueyuk, Sueyuk Blog
“This is such a charming, gentle comedy that pootles along in the most agreeable of fashions with moments of uproarious laughter coming from some delightfully judged comic performances and there’s even a surprise cameo appearance from, well…that would be telling now!” Ian Foster, The Public Reviews
“The whole cast is excellent.” Karolin Copplin, UKTheatre.net
“Headed by a funny and dramatic Celia Imrie as the hotel manager, special mention should go to Jack Klaff as the hotel owner and local theatre sponsor and to Hermione Gulliford and David Walshe for pitching the budding romantic couple so perfectly.” Sueyuk, Sueyuk Blog
“I can’t emphasise enough how incredible it is to see this calibre of actor that close. Its a simple story and its simplicity makes it sweeter don’t miss it, its great.” Kieran James, The Good Review
“To be a mere matter of feet away from people delivering such fine performances is an incredible experience, and to watch them be larger than life, yet, in the same instance utterly believable is a lesson in understated characterisation.” Kieran James, The Good Review
“The brilliant Celia Imre whom I last saw as the flamboyant mother in Hayfever here performs as the humble Lizzy, she is ditzy, simple and beautifully portrayed.” Kieran James, The Good Review
“Celia Imrie is hilarious as Lizzie” Karolin Copplin, UKTheatre.net
“The pleasures of theatregoing, especially in London, are many and varied but amongst my favourites are the chances offered to see some of our best actors in the most intimate of surroundings. So the opportunity to see the glorious Celia Imrie in the 50 seater Finborough Theatre in Earls Court was one I was never likely to miss.” Ian Foster, The Public Reviews
“Celia Imrie is just fantastic as the put-upon Lizzie, the spinster sister of Jack Klaff’s bounteous whiskey-guzzling proprietor who does most of the work running the hotel and whose melodramatic revelations of past lost love form the undoubted highlight of the show, her every gesture and mannerism is finely tuned to maximise the humour and watching her work up close is a genuine privilege.” Ian Foster, The Public Reviews
“When you hear the names Celia Imre, Juliet Cadzow and Rupert Frazer you expect the West End, and so it is perhaps a testament to the state of the smaller venues in London that a little pub theatre in West London can attract them to projects like Drama at Inish.” Kieran James, The Good Review
“Juliet Cadzow and Rupert Frazer as the aging actors are fabulous.” Kieran James, The Good Review
“I loved Juliet Cadzow’s timing and delivery, her magnificent sneers and disdainful looks.” Lizzie Loveridge, Curtain Up
“A delightfully expansive pair of performances from Rupert Frazer and Juliet Cadzow” Ian Foster, The Public Reviews
“A touching and sensitive performance by David Walshe” Karolin Copplin, UKTheatre.net
“Appealingly played by David Walshe” Ian Foster, The Public Reviews
“There is lovely work too from Hermoine Gulliford and David Walshe” Kieran James, The Good Review
“Hermione Gulliford’s no-nonsense Miss Lambert is also excellent” Ian Foster, The Public Reviews
“There are great cameos from Christopher Logan as an inquisitive journalist, Lee Knight as a firm policeman and Oengus Mac Namara’s Peter Hurley who is forever popping his head round the door” Ian Foster, The Public Reviews
“Fidelis Morgan uses a large cast to great effect” Kieran James, The Good Review
“Fidelis Morgan gets tip top performances from her well chosen cast.” Lizzie Loveridge, Curtain Up
“Brilliantly directed by Fidelis Morgan” Paul Burston, Time Out Blog
“Philip Lindley has really used the space to full effect in his design, a sweeping panoramic view of the town complete with pier and sprawling coastline has been painted quite superbly onto a temporary looking set. It captures the familiarity of seaside holidays and the charade of white paint and smiling hotel staff. It looks great.” Kieran James, The Good Review
“The period detail is excellent with lovely costumes hats and jewellery.” Lizzie Loveridge, Curtain Up
“The tiny Finborough Theatre in Earls Court is well known for punching above its weight and has helped launch the careers of Mark Ravenhill, Conor McPherson and many more.” Paul Burston, Time Out Blog